Bartosz Kolata Logo
LinkedIn Facebook
  • Home
  • Artworks
    • Weeds
    • Close up delights
    • Melodies
    • Personalization
    • Olympia
    • Moments
    • Portraits
    • E-motions
    • The boat
    • Capitalists
    • Narcissus
    • Sophie in love
    • Blasphemy
    • Circus
    • Self Portrait
    • The Wizard of Oz
    • Above
    • The sleep of Ulro
    • Mc Donald's
  • Blog
  • Contact
  • Biography
  • Home
  • Artworks
    • Weeds
    • Close up delights
    • Melodies
    • Personalization
    • Olympia
    • Moments
    • Portraits
    • E-motions
    • The boat
    • Capitalists
    • Narcissus
    • Sophie in love
    • Blasphemy
    • Circus
    • Self Portrait
    • The Wizard of Oz
    • Above
    • The sleep of Ulro
    • Mc Donald's
  • Blog
  • Contact
  • Biography
    • Exhibitions
    • Awards & Residences
    • Collections & Clients

News

  • Unwanted, and it grows. 
    Dug out and it grows back. 
    Abandoned, and it blooms.
    Written on Tuesday, 03 January 2023 11:40 Read more...
  • The latest works balance between severity and vulgarity and the hidden intimacy of relationships between cis-men.

    Written on Saturday, 26 November 2022 11:28 Read more...
  • "We cannot achieve happiness only through the desire to be happy. It must be the unintended consequence of pursuing a goal greater than ourselves" (Victor Frankl)

    Personalization, that is, giving reality personal features, through what I understand adapting it to my own individual needs.  

    Written on Wednesday, 08 July 2020 10:22 Read more...
  • In my new paintings are referring to the famous work by Edouard Manet's "Olympia" presented at the 1865 Paris Salon. Critics didn't take this work well upon its debut. The audience, represented mostly by  white men from Parisian elites, criticised not only Olympia's naked body (posing a direct threat to the bourgeois male viewer by revealing a wealthy sex worker in her boudoir demonstrating her rather bold and controlled nudity) but also a black maid presented in post colonial style (with issues of race representation), just fifteen years after slavery had been abolished in France.

    Written on Wednesday, 13 November 2019 11:37 Read more...
Others information in blog

Forthcoming Exhibitions:

 

13.01-11.02.2023

|"Intimacy", Thomas Fuchs Gallery, Berlin, Germany  www.galeriefuchs.de

 

Recent Exhibitions
Secret peeking (diptych), 2x30x25 cm, oil on canvas, 2022 Red clips, 30/40 cm, oil on canvas, 2022 Content, 30/20 cm, oil on canvas, 2022 Adult finally, 25/30 cm, oil on canvas, 2022 Never-ending wheel goes round and round, 40/40 cm, oil on canvas, 2021 Nomadic tribes, 25/30 cm, oil on canvas, 2022 Morning gossips, 25/30 cm, oil on canvas, 2021 Gravity, 30/20 cm, oil on canvas, 2022 Ridding like a pro, 30/25 cm, oil on canvas, 2022 Sunrise, 30/40 cm, oil on canvas, 2022 Harmony of holiday camp, 25/30 cm, oil on canvas, 2022 Lights of speeding cars, 40/50 cm, oil on canvas, 2021 Big head, small bowl, 25/30 cm, oil on canvas, 2022 Stretching in hot shower, 40/30 cm, oil on canvas, 2022 Magic tong, 30/40 cm, oil on canvas, 2021 Dionysus, 40/30 cm, oil on canvas, 2022