Manet was strongly influential with this painting that shocked both stylistically and in subject matter. Olympia disrupts the general concept of the male gaze. This painting has its roots in iconic female nudes of Venus by Venetian masters like Titian or Giorgione. The female body is always presented by male artists to confirm authority of male viewers. In Michael Fried's "Manet in His Generation: The Face of Painting in the 1860s", the author made a point that the painter's goal, in this limited sense, was thus to accommodate the viewer who would in turn allow the painting to become meaningful. But the direct stare of the nude in Olympia challenges the male viewer's authority.
Enjoyment of Olympia's directness made this painting stand out from iconic representations before and the image became iconic.
Referring to Olympia, I created this body of work based on nude selfies from different sex dating websites. Mobiles' cameras and access to the Internet give us the opportunity to present ourselves as we want to be presented with the same directness as Olympia. We look at ourselves through the gaze which gives us confidence and sex appeal. Some view these self-created naked self-